Talty follows up Night of the Living Rez with a moving if muted novel about a middle-aged white man yearning to tell his birth daughter, who was raised on the Penobscot Reservation, that he’s her father. Charles Lamosway grew up on the reservation, too, and lived there until 1983, when he turned 18 and had to leave because he had no blood ties to the tribe. His mother, Louise, was allowed to remain on the reservation with his Penobscot stepfather, who helped Charles build a house across the river, where he slipped into alcoholism. In 1991, Charles unexpectedly had a daughter with his Penobscot friend Mary. After she married a Penobscot man named Roger, the couple and Charles agreed to put Roger’s name on the birth certificate, so the girl, Elizabeth, could be a citizen of the tribe. Now, Charles, who’s been sober for more than 20 years, wonders if revealing the truth to Elizabeth might enrich her life and his own. The central tension—will Charles tell Elizabeth or won’t he—is set up early and doesn’t fully develop, but there are plenty of touching moments, such as a brief meeting between Charles and Elizabeth before she’s old enough to remember. This has the humanity of Talty’s promising debut, but it doesn’t quite reach the same heights. Agent: Rebecca Friedman, Rebecca Friedman Literary. (June)

Reviewed on 05/24/2024 | Details & Permalink

In the alluring if diffuse latest from González (Difficult Light), a woman’s disappearance prompts bitterness, grief, and mordantly funny speculation from her loved ones. Julia, a wealthy and marginally well-known poet in Colombia, ends her fourth marriage when her husband, Raúl, is no longer able to feign respect for her poetry. After Julia marries another man, she goes missing. Raúl’s sister, Raquel, then finds poems on Julia’s blog about “murdering” her marriage to Raúl, and about Raúl “as well, murdered.” Reflecting on the irony that Julia is the one who’s gone missing, Raquel doubts she will be found, “much less found alive.” González leans into the macabre turn—chapters narrated by Julia suggest she might be speaking from beyond the grave (“My poetry was delicate and also complex, like the irises that bloomed around the borders of the flagstone patio at my ranch”), and Raquel jokes to Raúl that Julia might be a “zombie or something,” and that even in life “she was pretty braindead already.” The plot morphs into a noirish whodunit, which feels underdeveloped, as do the characters’ meditations on loss, but the acidic humor keep the pages turning. It’s worth a look. (June)

Reviewed on 05/24/2024 | Details & Permalink

This sweeping account from Pulitzer winner Taylor (American Republics) examines the Civil War in a wider North American context. America’s conflict forms the backbone of Taylor’s narrative—he moves through the war’s epochal events with striking conciseness—while his explorations of developments in Canada and Mexico reveal how the fates of all three nations were intertwined. After Mexico’s defeat in the 1846–1848 Mexican-American War, the country was “bitterly divided” between conservative and liberal factions and defenseless against regular incursions by American raiders. Meanwhile, Canadian leaders worked to bridge divisions between Francophone and Anglophone states in hopes of forming a confederation—eventually established in 1867—that would be “better prepared to resist American invasion,” a perceived likelihood at the time. Strife on the continent heightened further with the French invasion of Mexico in 1862 and the 1864 elections, which were riven with tension in all three countries, especially in Mexico, where the French held votes structured to prove that Mexicans welcomed French rule. Taylor trenchantly observes that the situation in Mexico further spurred America’s Unionists, who feared similar European incursion into their own divided country. He also provides fresh analysis of Mexican and Canadian leaders Benito Juárez and John A. Macdonald, liberals whom he credits with holding their countries together in the face of out of control conservative revanchism. This penetrating study is a must for Civil War history buffs. (May)

Reviewed on 05/24/2024 | Details & Permalink

A British war photographer travels to Cambodia seeking to escape a personal tragedy, only to become entangled in the region’s criminal underworld, in Herat’s ambitious debut. Joseph “Fearless” Nightingale, who is reeling from the death of his pregnant wife, heads out drinking with his longtime friend and travel companion, Alyosha, shortly after they arrive in Cambodia. Their night takes a perilous turn when Fearless is drugged by strangers, then left for dead. Song, an 18-year-old Cambodian woman enslaved at the apartment complex where Fearless is staying, discovers his limp body and nurses him back to health. Sensing that Fearless might help her and her twin sister, Sovanna, who is enslaved in a nearby villa, Song sneaks out of the complex and leaves behind a videotape for him, which offers evidence of a sex trafficking ring involving several international power brokers, including Alyosha. As Fearless figures out what to do next, Song frees Sovanna by setting her villa ablaze, triggering a violent retaliation that touches each of the novel’s main characters. Herat impresses on his first time out, with well-shaded characters and gripping suspense, though things start to feel overstuffed by the final act. Still, this is worth seeking out. (June)

Reviewed on 05/24/2024 | Details & Permalink

Velton (The Image of Her) spins an alluring story based on the historical Hungarian “blood countess” Erzsébet Báthory, who was accused in the 17th century of murdering hundreds of girls. In 1610, 15-year-old orphan Boróka goes to work for the countess at Č achtice Castle. Boróka, who was raised by a doctor and taught to read, but otherwise has no skills, is assigned to work in the laundry house. She befriends her seamstress roommate, Suzanna, who grows resentful when Boróka is picked to serve as a model for the countess’s portrait. According to Suzanna, the countess tortures the house’s servant girls in their quarters. Boróka chalks Suzanna’s accusations up to superstition, though her curiosity is piqued enough to snoop around the countess’s belongings, where she finds a journal describing how another noblewoman gave birth to an illegitimate daughter when she was 13. When the countess is charged with murdering hundreds of servants based on scant evidence, Boróka remains loyal. Revelations about the connections between Boróka, the countess, and the woman mentioned in the diary are unsurprising, but Velton’s riveting narrative vividly evokes the misogyny and paranoia of the era’s witch trials. Historical fiction fans will find plenty to enjoy. Agent: Jenny Bent, Bent Agency. (May)

Reviewed on 05/24/2024 | Details & Permalink

Kilroy’s gut-wrenching latest (after The Devil I Know) finds a mother, Soldier, recounting to her son, Sailor, the first few years of his life. The action moves fluidly between past and present, mimicking the out-of-time nature of early motherhood, and the immersive prose veers from lyrical (“The world rotated beneath us and we were the world”) to brutal (when Sailor was whining at six months old, Soldier screamed at him to “Shut the fuck up”). Soldier also expresses resentment toward men, including her husband, for never having to go through childbirth (“Tell me, men: when were you last split open from the inside?”). At times it can be difficult to distinguish between what actually happened and Soldier’s dark fantasies, such as her plan to abandon Sailor as an infant—but the novel builds to a gorgeous closing soliloquy, in which Soldier lays bare the confounding and heartbreaking reality of mothering. This is worth seeking out. (June)

Reviewed on 05/24/2024 | Details & Permalink

Mount Shasta, Calif., high school senior Izumi Tanaka is a normal 18-year-old American girl: she enjoys baking, watching Real Housewives, and dressing like “Lululemon’s sloppy sister.” But Japanese American Izzy, conceived during a one-night stand in her mother Hanako’s final year at Harvard, has never known the identity of her father. So when she and her best friend find a letter in Hanako’s bedroom, the duo jump at the chance to ferret out Izzy’s dad’s true identity—only to find out he’s the Crown Prince of Japan. Desperate to know her father, Izzy agrees to spend the summer in his home country. But press surveillance, pressure to quickly learn the language and etiquette, and an unexpected romance make her time in Tokyo more fraught than she imagined. Add in a medley of cousins and an upcoming wedding, and Izzy is in for an unforgettable summer. Abrupt switches from Izzy’s perspective to lyrical descriptions of Japan may disrupt readers’ enjoyment, but a snarky voice plus interspersed text conversations and tabloid coverage keep the pages turning in Jean’s (Empress of All Seasons) fun, frothy, and often heartfelt duology starter. Ages 12–up. Agent: Erin Harris, Folio Literary Management. (May)

Reviewed on 05/07/2021 | Details & Permalink

Kelkar’s (Bindu’s Bindis) novel features Oceanview Academy middle schooler Sonali, whose stoicism contrasts with her love of Bollywood movies’ melodrama. Stuck in a Los Angeles home with constantly arguing parents and her sensitive nine-year-old brother Ronak, Gujarati American Sonali, 11, tries to make sense of her world through the Hindi movies she’s seen all her life. Ever since an earnest public attempt five years ago to stop her parents’ fighting led to widespread embarrassment in front of family, Sonali has resolved to hide her emotions and do her best to ignore her parents’ arguments. But her efforts prove futile when her parents decide to try the “nesting” method of separation, where they take turns living in the house with Sonali and Ronak. The contemporary narrative takes an entertaining fabulist turn as Sonali’s life begins to transform into a Bollywood movie, with everything she feels and thinks made apparent through her “Bollywooditis.” Sonali’s first-person perspective is sympathetic as she navigates friendship and family drama, and Kelkar successfully infuses a resonant narrative with “filmi magic,” offering a tale with universal appeal through an engaging cultural lens. Ages 8–12. Agent: Kathleen Rushall, Andrea Brown Literary. (May)

Reviewed on 05/07/2021 | Details & Permalink

When she was six, Justice Kasric watched her blue-eyed merchant father play chess with the Faerie King. Now 15, Justice believes the event was merely a dream. She spends her days yearning for adventure, watching from the sidelines while her 16-year-old sister Faith, as slender and golden-haired as Justice but not as curious, becomes the toast of Victorian London society. One night, however, their father shatters their comfortable lifestyles when he forces the family—Justice, Faith, their younger brother Henry, and their constantly medicated, distant mother—into a locked carriage that takes them to a shadowy mansion. Justice’s discovery that the Faerie have invaded the human world and are targeting her family gains further urgency when she learns that her parents are on opposite sides of the conflict. Together, the Kasric siblings—including older brothers Benedict and Joshua—must find a way to save their family. While characters lack depth at times, and insufficient historical details don’t fully evoke the Victorian setting, Klaver’s (the Supernatural Case Files of Sherlock Holmes series) rich, lyrical descriptions augment the fantastical source material in this engaging series starter. Ages 13–up. Agent: Lucienne Diver, the Knight Agency. (May)

Reviewed on 05/07/2021 | Details & Permalink

Nine years before this novel begins, eight-year-old best friends Esme Randal and Kayla Price snuck out of their cabin at Camp Pine Lake in Texas. They swore never to discuss the terrible events that followed, but when the girls, now 17, return to the camp as counselors-in-training from their hometown of Lewisburg, Pa., that proves easier said than done. Someone begins sabotaging camp activities, and ominous—and increasingly public—threats appear, referencing that fateful summer. The only other person who knows Esme and Kayla’s secret is a local girl named Lillian Campbell, whom they left to fend for herself that night in the woods. They’re loath to voice their suspicions of revenge lest they get in trouble or look bad in front of hunky fellow counselors Jake and Olly, but as events escalate, they realize they may not have a choice. Narrating from Esme’s increasingly apprehensive first-person perspective, Preston (The Twin) pays homage to classic summer camp slasher films. The underdeveloped, predominantly white cast relies heavily on stereotype, and the clichéd tormenter’s motive feels unearned, but horror fans will likely appreciate this paranoia-fueled tale’s gruesome, shocking close. Ages 12–up. Agent: Jon Elek, United Agents. (Mar.)

Reviewed on 05/07/2021 | Details & Permalink