cover image Willie, Waylon, and the Boys: How Nashville Outsiders Changed Country Music Forever

Willie, Waylon, and the Boys: How Nashville Outsiders Changed Country Music Forever

Brian Fairbanks. Hachette, $32.50 (464p) ISBN 978-0-3068-3108-9

In this enthusiastic account, journalist Fairbanks (Wizards) traces the roots of today’s alt-country music to the outlaw movement of the 1970s. In the mid-1970s, Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser joined forces to record 1976’s Wanted: The Outlaws! which blended rock chords with hillbilly rhythms, eschewing the “slick” Nashville sound that characterized country music at the time. Inspired by the album’s success, Jennings, Nelson, and fellow Nashville “outsiders” Kris Kristofferson and Johnny Cash formed the Highwaymen in the mid-1980s. Their “outlaw” sound was “more ragged than the classic rock of the ’60s, and generally free of the Music Row polish that has doomed everyone before or since to the dollar bin,” Fairbanks writes. Outlaw country evolved through the 1990s and influenced such bands as Uncle Tupelo, who combined punk, rock, country, and “a certain DIY, antiestablishment ethos” to create what became known as alt-country. The style was later adopted by Brandi Carlile, Melissa Carper, and others who challenged mainstream country’s views on gender, race, and sexuality. Fairbanks paints a sprightly if familiar portrait of an important chapter in country music, though his tendency to rehash lengthy conversations between his subjects sometimes takes things offtrack. Still, it’s a diverting look at how a noteworthy strain of country music came to be. (June)