cover image Hannah's Daughters

Hannah's Daughters

Marianne Fredriksson. Ballantine Books, $24 (352pp) ISBN 978-0-345-42664-2

A chronicle of emotional and psychological exploration, this family saga, a bestseller in Fredriksson's native Sweden and in Germany, is an unerringly perceptive portrait of women in the flux of Scandinavian history. In this English translation, however, it gets off to a slow start, hobbled by spare prose and often stiff dialogue. But once the characters acquire identity, the novel begins to reverberate in the reader's mind. Set against the backdrop of the 1870s Swedish-Norwegian Union crisis and WWII, the plot skillfully interweaves the stories of three generations of women. Born in 1871, grandmother Hanna Broman is a woman of ""sense and continuity,"" but her life is blighted when she is raped and impregnated by a cousin at the age of 12. Marriage to miller John Broman restores her honor and produces three additional children: Johanna and--interestingly, given the title--two more sons. As she matures, atheist-socialist Johanna is contemptuous of her mother, whose life has been so deprived that she must learn about mirrors, indoor plumbing and electricity. Johanna's daughter, Anna, is a writer living in the concrete suburbs, hungering to understand her antecedents. Ultimately, Anna acknowledges that she cannot find ""a way home"" in her research about her family; instead, she discovers that everything about them is ""full of contradictions."" As a result, this is a book that benefits from two readings because its patterns often are built on characters with identical names or similar personalities, many events are captured in disconnected vignettes and chronologies jump and overlap. Yet the unsentimental depictions of women's inner lives, of the resentment and bitterness that undermine many family relationships and of the harsh truths that can never be spoken, create a portrait of the human need to connect and of the spiritual isolation that often occurs in the absence of such connection. Rights sold in 27 countries; simultaneous publication in fall 1998 in U.S., U.K., Australia, Greece, France, Poland, Iceland, Japan, Brazil, Israel, Korea, Czech Republic; film rights to Bavaria Film in Munich; major ad/promo. (Aug.)