cover image FORTY WORDS FOR SORROW

FORTY WORDS FOR SORROW

Giles Blunt, . . Putnam/Wood, $24.95 (384pp) ISBN 978-0-399-14752-4

This brooding tale of a search for a serial killer in rural Ontario takes its title from the often-quoted fact that Eskimos have 40 words for snow. "What people really need is forty words for sorrow," thinks Det. John Cardinal, whose glum outlook aptly mirrors the mood of Blunt's atmospheric thriller. The story begins when the frozen body of 13-year-old Chippewa Katie Pine is discovered on one of the Manitou Islands near Algonquin Bay, Ontario. Cardinal, whose obsessive search for the missing girl when she first disappeared six months earlier got him kicked off the case, ends up back in the good graces of his superiors. Or so he thinks. But his new partner, Lisa Delorme, fresh from the Office of Special Investigations (think Internal Affairs), has been paired with Cardinal so she can covertly investigate him at the same time. Dogging Cardinal's record is his connection with drug dealer Kyle Corbett. Each time the police tried to bust Corbett, he was warned by someone on the inside; Cardinal, who is burdened with a guilty secret and a wife who's in and out of mental institutions, is the prime suspect. Focusing initially on Cardinal, Blunt (author of the praised Cold Eye) opens up the plot by chronicling what happens to the next potential victim of what the newspapers are calling the Windigo Killer. While the plot is formulaic (combining both a least-likely-suspect twist and a you-may-think-it's-over-but-it's-not finale), the plangent atmosphere gradually and effectively permeates the reader's consciousness. The characters achieve dimension slowly, like figures in a developing Polaroid, and then become vivid. Sorrow is palpable, and readers making their way through the book will feel like they're walking hunched over against a steady, chilling wind—but the final destination, like Cardinal's final redemption, is well earned and well worth the trip. Agent, Helen Heller. (June 25)

Forecast:Glowing advance praise from the likes of Jonathan Kellerman, Tony Hillerman and Lee Child augurs well for this deserving, intelligent thriller.