cover image The Film Club

The Film Club

David Gilmour, . . Hachette/Twelve, $21.99 (225pp) ISBN 978-0-446-19929-2

In this poignant and witty memoir, Canadian novelist Gilmour (A Perfect Night to Go to China ) grapples with his decision to allow his teenage son, Jesse, to leave school in the 10th grade provided he promises to watch three movies a week with his father. Determined not to force a formal education on his son, former film critic and television host Gilmour begins the film club with Truffaut's The 400 Blows —with Basic Instinct for “dessert.” There are no lectures preceding the films, no quizzes on content or form: just a father and son watching movies together. Expertly tracing the trials and tribulations of teenage crushes and heartbreak, Gilmour explores not only his choice of films but also Jesse's struggles with his girlfriends and burgeoning music career. There are “units” on everything from undiscovered talent (Audrey Hepburn's Oscar-winning debut in Roman Holiday ) to stillness, exemplified by Gary Cooper's ability in High Noon to steal a scene without moving a muscle. Gilmour expertly tackles the nostalgia not only of film but also that of parents, watching as their children grow and develop separate lives. With his unique blend of film history and personal memoir, Gilmour's latest offering will deservedly win him new American fans. (May)