Maxwell (Signora da Vinci
) tries in vain to flesh out one of the most famous love stories ever told. Her Renaissance Juliet is an 18-year-old Florentine, the educated daughter of Capello Capelletti, a silk trader whose business foibles have led him to promise his daughter to his would-be partner, Jacopo Strozzi. At a party celebrating her best friend Lucrezia’s betrothal, Juliet meets Romeo Monticecco, who reveals that he snuck in hoping to smooth over an old feud. The two are immediately smitten with one another, and their secret courtship ensures. Shakespeare is a tough act to follow, and Maxwell falters with both her flowery writing style (“This woman, this earthly angel—perhaps 'Goddess’ suited her more”) and her hyperbolic, black-and-white characters. Jacopo, for instance, is not only boring and physically grotesque, he’s also the embodiment of evil. In contrast, Romeo is respectful and appreciative of women, great in the sack, and wise beyond his years. The story unfolds as the play does, but Maxwell’s tweaks amount to a disappointing attempt to fix what isn’t broken. (Feb.)
