cover image The Marvelous Adventures of Pierre Baptiste: Father and Mother, First and Last

The Marvelous Adventures of Pierre Baptiste: Father and Mother, First and Last

Patricia Eakins. New York University Press, $23 (256pp) ISBN 978-0-8147-2209-1

The trials of a genius trapped in bondage supplies the framework for Eakins's first novel (after the short story collection The Hungry Girls), which purports to be the adventure-filled autobiography of an 18th-century black youth born into slavery on a sugar plantation. The plantation master, an amateur naturalist named Dufay, recalls 10-year-old Pierre from labor in the cane fields to help him classify flora and fauna on the Caribbean island. Impressed by young Pierre's acumen, and by his good humor--he nicknames him Goody--Dufay allows the boy to learn to read and write. Pierre often sneaks into the master's library to pore over volumes of Plato, Descartes, Newton and Diderot. After encountering a noted philosopher's condescending description of ""Negroes,"" Pierre sets out to create the definitive encyclopedia of African culture: ""In so doing, I would open for inspection THE GENIUS OF MY PEOPLE, proving we who had been stolen from Guine THE EQUALS IN EVERY RESPECT OF OUR MASTERS and DESERVING OF LIBERTY."" Later, when Pierre (now married to the hideously ugly but loving plantation cook) refuses to sleep with Madame Dufay, she accuses him of rape; Pierre sets out to sea in a barrel addressed to France. After an arduous experience, he is washed ashore on an uninhabited island. Here the novel's brilliance begins to tarnish. Pierre's commentaries on his Caribbean life are often scathing, humorous and brutally heartbreaking, but alone on his island, Pierre waxes tediously philosophical, and his adventures become weird, indeed: he is impregnated by a mermaidlike creature, carries the results to term in his mouth and gives birth to four ""philosofish,"" whom he proceeds to educate. Such over-the-top, magic-realist bizarreness detracts from, and almost capsizes, what is for the most part startlingly creative, memorable work. (May) FYI: This novel won the NYU Press Prize for Fiction; excerpts have appeared in the Paris Review and other literary journals.