No Future-PB

Queer theory, a fairly recent academic discipline, has been commonly used as an analytic tool to deconstruct literature, film and art, although writers such as Judith Butler and Michael Warner have also applied it to philosophy and sociology to subvert accepted concepts of the ""normal."" Edelman's slim volume takes this idea further than anyone else to date. Arguing that the traditional Western concept of politics is predicated on making the future a better place and that the accepted--literal as well as symbolic--image of the future is the child, he states that ""queerness names the side of those not 'fighting for the children. ""Edelman argues that homosexuality's perceived social threat has to do with its separation from the act of reproduction, yet, he says, this non-reproductive capacity must be embraced as a social good. He illustrates his provocative stance by analyzing numerous cultural artifacts--Alfred Hitchcock's The Birds (why do the birds keep attacking children?); A Christmas Carol (he favors Scrooge over Tiny Tim); the musical Annie (with its hit song ""Tomorrow"")--and by discussing the theories of post-modern writers such as Jacques Lacan, Slavoj Zizak, Jean Baudrillard and Barbara Johnson. While Edelman also focuses on recent events--the murder of Matthew Shepard, the bombing of abortion clinics, the Catholic Church's sexual abuse scandal--most of his book is densely written and theoretical. This is a notable contribution to post-modern theory, but Edelman's knotted, often muddled writing will limit his readership to hard-core academics and students of post-modern thought.