cover image THE DEAD CIRCUS

THE DEAD CIRCUS

John Kaye, . . Atlantic Monthly, $24 (320pp) ISBN 978-0-87113-849-1

A seemingly ordinary tragedy plunges an ex-cop-turned-detective into the murky, bizarre world of the Manson family in screenwriter and film director Kaye's second novel, an overplotted but riveting noir thriller set mostly in 1960s and '70s Los Angeles. The action begins in 1986, when former LAPD cop Gene Burk (brother of Ray Burk, the central figure in Kaye's debut, Stars Screaming) is shattered by the death of his fiancée, a flight attendant named Alice Hanson, in an airline crash. When Burk inherits her effects, he discovers some letters that link her to a fictional woman from the Manson cult named Alice McMillan. Burk is able to connect McMillan's comings and goings to the death of '60s rockabilly star Bobby Fuller, whose mysterious demise—possibly ordered by Frank Sinatra when the star dated Sinatra's daughter—is an obsession of Burk's. Kaye populates his novel with enough suspects and shady Hollywood characters to fill two murder mysteries, but the story remains reasonably tight despite the abundance of characters and the presence of several tangential subplots. Kaye does a nice job with scenes of real-life entertainers, and the lurid details of Manson's decadent lifestyle add narrative momentum. While the climax doesn't quite justify the buildup, there are some chilling final sequences. Kaye could stand to rein in his tendency for busy plotting, but this book packs a major wallop nonetheless. (July)

Forecast:Kaye's movie background could stand him in good stead—it's easy to imagine this story on the big screen. For the present, the Manson family connection and abundant pop culture references should attract browsers.