The People in the Trees

Driven by Yanagihara's gorgeously complete imaginary ethnography on the one hand and, on the other, by her brilliantly detestable narrator, this debut novel is compelling on every level%E2%80%94morally, aesthetically, and narratively. Yanagihara balances pulpy adventure tale excitement with serious consideration in unraveling her fantastical premise: a scientist, Norton Perina, discovers an island whose inhabitants may somehow have achieved immortality. Perina sets out on an anthropological mission that became more significant than he could have imagined. His tale raises interesting, if somewhat obvious, ethical questions; what can be justified in the name of science? How far does cultural relativism go? Is immortality really desirable? The book doesn't end with his astounding discovery, though. It continues with seeming banality to recount the predictable progression of academic honors that followed it and the swift and destructive attempt to commercialize Perina's findings. The story of Perina as a man emerges with less show but just as much gruesome fascination as that of his discovery and its results. Evidence of his character worms its way through the book in petulant asides and elided virulence, at first seeming incidental to the plot and then reflecting its moral themes on a small scale. Without making him a simple villain, Yanagihara shows how Perina's extraordinary circumstances allow his smothered weaknesses to blossom horribly. In the end, he reveals the full extent of his loathsomeness explicitly, unashamedly, convinced of his immutable moral right. (Aug. 13)