cover image The Painter’s Chair: George Washington and the Making of American Art

The Painter’s Chair: George Washington and the Making of American Art

Hugh Howard, . . Bloomsbury Press, $26.95 (297pp) ISBN 978-1-59691-244-1

Patron of the arts is not the first association one makes with George Washington, but Howard elegantly makes the case that the founder of the nation also helped establish America’s art. Though architecture, not painting, was Washington’s preferred art, America’s first prominent artists painted him: Charles Willson Peale, John Trumbull, Benjamin West and Gilbert Stuart, the most distinguished American painter of the period. Washington, who Howard argues was “easier to see and admire than to understand,” is subtly revealed in a narrative that is precisely paced and elegantly composed. Howard (Dr. Kimball and Mr. Jefferson ) illuminates Washington as an eminent patron of emerging American artists, who “fostered nothing less than the birth of American painting.” He also insightfully documents how Washington’s evolving public image and often inscrutable character were diversely revealed by some of the most eminent visual artists of the 18th century, many of whose images propelled Washington’s iconic status. This perspective will interest scholars of Washington and of early American art, as well as general readers seeking a refreshing angle on Washington and art in America. 8 pages of color photos. (Feb.)