cover image Kill All Your Darlings: Pieces 1990–2005

Kill All Your Darlings: Pieces 1990–2005

Luc Sante, , intro. by Greil Marcus. . Verse Chorus/YETI, $17.95 (299pp) ISBN 978-1-891241-53-6

New York City is fated always to remain my home,” writes Sante, who became permanently linked with the city through the underground history he recounted in Low Life , and the lead-off essay in this collection revisits the frame of mind he was in when he conceived that book in the Lower East Side of the early 1980s. The best essays that follow maintain that strong personal connection, such as an eyewitness account of a riot in Tompkins Square Park or the time he lived in the same apartment building as Allen Ginsberg (who “suffered me, if not especially gladly”). The book and music reviews that make up the bulk of the remaining material are usually insightful and occasionally contain striking imagery: he describes, for example, how the punk-country band the Mekons “built an imaginary America out of pocket lint.” But collecting disparate pieces in a single volume is a risky proposition, and sometimes an awkward skip, as in a chapter on two books by photographer Michael Lesy, temporarily exposes the anthology's patchwork nature. It's worth working through those rough patches, however, to soak up Sante's various observations on the long legacy of outsider culture, from Rimbaud through Buddy Bolden to Bob Dylan. (Aug. 20)