Brooklynite Hammad may be the first Palestinian-American to make it big in the spoken-word, or performance poetry, scene: she took part in Russell Simmons's Tony Award–winning Def Poetry Jam
and has read on (among other venues) National Public Radio. Her first collection is also the first book from the Cypher imprint, edited by spoken-word elder statesman Willie Perdomo. Inspired both by her links to the Arab world and by the styles and stances of such earlier poet-performers as Nikki Giovanni, Hammad celebrates and defends her heritage ("i want to be open and hide/ the children of Palestine within me") and can be equally passionate about daily life in her home borough: "if you can make it here/ you got nothing to fear," the poem called "brooklyn" says. With the book comes a CD of Hammad in energetic performance, including a brief interview with the poet's father (subject of her poem "daddy's song") and, apparently, a bag of the Mideastern spice zataar. Leading off the CD is one of Hammad's best poems, the ironic "mic check," whose title refers to sound equipment and to an airport search performed by a hapless guy named Mike. (Jan.)
