In her recent book Regarding the Pain of Others, Susan Sontag concludes that an aesthetic reaction is part of the viewer's experience of even shots of extreme pain or violence. Written more than 10 years ago, the lead piece of these 18 essays on photography weighs in on aestheticization and also finds that, even in "social documentary" photographs, "aestheticization" is one of the ways that disparate peoples recognize themselves in one another." Yet despite the similar subject matter and terminology, poet and critic Levi Strauss carves out unique and convincing critical terrain in this follow-up to Between Dog and Wolf, his previous collection of critical meditations. Most of these pieces were written during the '90s and published as review essays on the work of Ania Bien, Miguel Rio Branco, Alfredo Jaar, Joel-Peter Witkin, Francesca Woodman and others; also included are an interview with painter Leon Golub (who works from photographs) and an introduction from critical eminence John Berger. "Photography and Propaganda," a study of the work and deaths in '80s Central America of photojournalists Richard Cross and John Hoagland, should be required reading in the age of embeddedness, and "Photography and Belief" is a terrific meditation on truth in the age of digital manipulation, which leads to an investigation of why many people thought images of September 11 "looked like a movie." Thoughtful and firm, these reflections seem more vital than ever. (July)
