All We Shall Know

Ryan (The Spinning Heart) crafts a beautiful morality play that recalls the pastoral dramas of William Trevor or Edna O’Brien. When we first meet Melody Shee, she is 33 years old and 12 weeks pregnant by a 17-year-old Irish Traveller named Martin Toppy; now, deserted by her husband, Pat, and with Martin nowhere to be found, Melody is left alone to contemplate her shame and her unborn child, even as “dying seems as unreasonable as living.” But her spirits are revitalized by a friendship kindled in the Travellers’ camps: 19-year-old Mary Crothery, a free spirit who “speaks in streams” and whose own scandalous divorce has triggered a vicious feud. Scorned by their respective communities, these two women come to rely on one another and save each other’s lives in unforeseen ways. But as Melody nears her due date, she recalls another betrayal, that of a childhood friend, and wonders whether she is “a woman divorced from decency, without restraint,” destined to fall short of all who love her. In this story of moral redemption and blood rivalries, Ryan is fair to each of his characters, as well as vivid in his evocation of Traveller culture. The result is a lush and lively novel that fascinates from its opening words to its tender last lines. (July)