You’d Look Better as a Ghost

An irritable 30-something serial killer narrates Wallace’s deliciously eerie and darkly funny debut. While attending her father’s funeral, struggling visual artist Claire receives an email from Lucas Kane, administrator of a prestigious art prize, informing her that her painting has been shortlisted. Claire is elated, but the following morning, Lucas sends a contrite follow-up clarifying that the first message was sent in error. Considering his apology insincere, Claire stalks, seduces, murders, and buries Lucas in her back garden. Then her doctor, believing there’s a link between Claire’s blinding headaches and her grief over her father’s death, suggests she join a bereavement counseling group that meets weekly in a suburban London church hall. She reluctantly agrees, and it’s there that her problems truly begin: one of the group’s fellow members knows about Claire’s killings, and attempts to pressure her into joining a “grubby startup blackmailing business” that Lucas was involved with. As that cat-and-mouse game unfolds, Wallace weaves in poignant flashbacks from Claire’s childhood that shed light on her relationship with her father. Wallace nails Claire’s prickly voice (regarding her hippie-ish grief counselor: “I’m not disputing any of her credentials, but to me, Star looks like someone out-of-her-bloody-mind-fulness”), making readers more than happy to root for the unrepentant murderer as she navigates a series of surprising obstacles. It’s an uncommonly assured debut from a promising new voice in crime fiction. Agent: Cathryn Summerhayes, Curtis Brown U.K. (Apr.)