The Paris Express

A French anarchist targets a passenger train in the taut latest from Donoghue (Learned by Heart), which is inspired by a true story. On Oct. 22, 1895, Mado Pelletier boards the express from Granville to Paris with a homemade bomb in tow. Born into poverty, she’s furious over the plight of the working class, which is made all the more plain to her by the arrangement of the train’s carriages: first-class passengers are placed at the center of the train to cushion the blow in the event of a crash. (“This train is a moving image of the unfairness of the long con of life,” she thinks.) Three members of Parliament are riding in first class, and Mado hopes that by assassinating them, she will send a message to the ruling class. But as the locomotive speeds toward Paris, Mado meets her fellow passengers and questions whether she can follow through with her plan. Through shifting points of view—including that of the train engine itself—Donoghue establishes an intricate web of human relationships as the narrative speeds toward an unexpected yet plausible finale. Along the way, she offers detailed commentary on the railway’s cynical exploitation of its workers, enriching the themes raised by Mado’s critique. Readers ought to jump on board. Agent: Kathleen Anderson, Anderson Literary. (Mar.)