Return to Sender

Siegman's first novel gives the term growing pains new meaning. Set in Kansas City during the '60s and '70s, the book chronicles the ups and downs of life in the very dysfunctional Freedman family. The cast of characters is offbeat and unpredictable; the dialogue, funny and achingly tender. Otherworldly Emma is a childlike shade of a woman who spends much of her time vacuuming and sleeping; her husband, James, is a well-meaning businessman whose outlets include analysis and adultery. Their two children are equally misguided: Gus is an angry youth whose sexual confusion leads him far from home, while Roxanne, a chronic nail-biter, is rendered immobile by insecurities about her family and a nose ``hung like an unhinged shower nozzle, hovering too close to her mouth.'' She seeks courage and counsel from Gramma, a feisty, resilient woman who takes her own refuge from reality in the lives of celebrities such as Elvis. What ensues is a journey toward understanding one's self-as well as ``people and love and life's uncertainties.'' In this dark, comic portrait, Siegman has done a praiseworthy job of illustrating how a family has the power to tear you apart and, ultimately, to give you strength. (Apr.)