My Dear I Wanted To Tell You

Singular in quality, if not unique in plot or tone, Young's WWI novel, her adult debut after coauthoring the Lionboy YA trilogy, follows two emblematic couples: Peter and Julia Locke, lovely and well-placed until their relationship disintegrates under the pressure of war and changing conventions, and, more centrally, working class Riley and posh Nadine, who, in a nice bit of symmetry, are hampered before the war by the very upper crustiness that the Lockes embody, but are subsequently more free to love each other and better suited by their modernity and openness to survive. Still, separation and a terrible injury ensure uncertainty and tension. The plot has a certain Atonement feel to it—working-class boy is semiadopted by upper-middle-class family and educated beyond his station, then falls unacceptably in love with their independent-minded daughter and goes to war while she becomes a nurse—but the similarities become increasingly irrelevant as Young's characters come into their own and easily shoulder the burden of escorting readers through an unsensationalized and thoughtful story of English class, world war, and that universal constant—love. (June)