Make Me Rain

Giovanni (Chasing Utopia: A Hybrid) celebrates in her poignant 20th collection art as redemptive of traumas past and present, illuminating the ways in which “the blues is our encyclopedia.” With a mind attuned to ironies, Giovanni considers refuge from systemic injustice: “I remember sitting/ During the age of segregation/ In the ‘colored’ car/ Where the Pullman Porters looked out/ For my sister and me/ And we didn’t understand we were/ Not wanted/ We loved it.” In “When I Could No Longer,” speakers affirm the healing power of community against personal abuse, elegizing godmothers, grandmothers, educators and friends, including the late Toni Morrison. The most memorable moments in the collection reveal the cutting directness that made her a laureate of the Black Arts Movement: “The blues may talk about/ My man/ Or my woman/ Who left me/ Or took my money/ And is gone/ But what they mean/ Is I was stolen/ In an African war.” Similarly, in “Lemonade Grows From Soil, Too,” the speaker wryly notes, “Everybody wants to confuse love with sex. Ask Bill Cosby about that.” Such pleasurable jolts offset the collection’s more rhetorically slack moments and reinforce Giovanni’s unapologetic commitment to documenting both injustice and joy. (Oct.)