Rosenbaum's debut sets The Lovely Bones
to strains of Fiddler on the Roof
. In rural Zokof, Poland, in 1906, young Itzik Leiber protects three small Jewish boys from a beating, resulting in the accidental death of a menacing Polish peasant. Itzik hides in a Jewish cemetery where he unknowingly draws the soul of Friedl Alterman—who died the previous year at 83. Friedl, childless in life, protects Itzik as he flees Zokof for Warsaw, then America. Fast forward 86 years as Itzik's son, Nathan Linden (name change), a scholar of international law, is a guest of the Polish government. He is drawn to his father's hometown (via a still-protective Friedl), and there he comes upon Rafael Bergson, "the last Jew in Zokof," who forces Nathan to confront his ambiguous feelings about religion and begs him to help restore Friedl's spirit through prayer and ritual. But it may be up to Ellen, Nathan's free-spirited choreographer daughter, to come to Poland to liberate Friedl's soul. Friedl's voice retreats after the early chapters, and Rosenbaum handles the shifts in voice, time and place smoothly. She packs a lot of Jewish history, recent and otherwise, into this luminous tale, as well as joy in the arts and in prayer. (Nov.)
