Hitler's favorite filmmaker prettified her own story almost as much as she glorified the ugly reality of the Third Reich, which makes her a natural for biographers with a taste for dish and debunkery. Bach (Marlene Dietrich: Life and Legend
) excavates, somewhat more fluently, many of the low points covered in Jürgen Trimborn's recent Leni Riefenstahl: A Life
: her courting of Nazi sponsorship and admiration for Hitler, her witnessing—later denied—of a massacre of Polish Jews, her deployment of Gypsy slave laborers as extras (many of them died at Auschwitz) and her postwar efforts, through lawsuits and misleading memoirs, to downplay or suppress these facts. Bach also fleshes out more of Riefenstahl's private life, with details about a parade of lovers (one of them, an American decathlonist, apparently tore off Riefenstahl's blouse and kissed her breasts in front of 100,000 spectators at the 1936 Berlin Olympics) and her attempts to get her hands on the inheritance of her niece and nephew. He intersperses perceptive commentary on her masterful propaganda films, while noting that her art "lulls and deceives" instead of awakening and illuminating. The result is a lively, incisive look at a compelling and somewhat appalling figure who demonstrated that beauty isn't always truth. Photos. (Mar. 19)
