Day

Pulitzer winner Cunningham (The Hours) meditates on love and loss in this intimate portrait of a New York City family impacted by Covid-19. The story begins in April 2019, with Isabel Walker, a magazine photo editor, falling out of love with her partner Dan Byrne, a former rock musician turned “househusband.” A year later, Isabel and Dan’s 10-year-old daughter, Violet, already affected by her parents’ acrimony, is intensely anxious over the virus. Isabel’s beloved brother, Robbie, provides a stabilizing influence from afar via Instagram, where he posts as Wolfe, the “adult incarnation” of the imaginary older brother he and Isabel made up as children. Although Cunningham evokes the pandemic only indirectly, such as with references to Violet’s remote learning, its impact on everyone is palpably conveyed, especially in a poignant, grief-filled final section set in April 2021. Cunningham’s characters drive the story’s slender plot, and all of them are magnificently developed, with even the basest episodes, like Dan succumbing to the temptation of a hit of cocaine, revealing depths of thought and feeling. What could have been a somber mood piece tinged with tragedy is buoyed by the author’s focus on “the promise that resides under the forlorn surfaces.” This stands out from the growing shelf of pandemic novels by managing to feel timeless. Agent: Frances Coady, Aragi. (Nov.)