Riggs (Ben Jonson: A Life
), an English professor at Stanford University, traces the life of Elizabethan poet, playwright and spy Christopher Marlowe (1564–1593), placing him in the context of the institutions that both fostered his keen intellect and reinforced his awareness of his lowly class origins (his father was a shoemaker). Riggs suggests that Marlowe, Shakespeare's great contemporary, author of Tamburlaine
and Dr. Faustus,
may have sought to overcome those origins through his unusual and dangerous career path. Working in the New Historicist vein most recently mined by Stephen Greenblatt in Will in the World,
Riggs evokes the pedagogical preoccupations of Marlowe's school and university education, revealing layers of intricate detail in Marlowe's formation as a literary artist: his study and translation of Ovid, his innovations in blank verse, and the substance and reception of all of his plays and poetry. While downplaying Marlowe's disputed sexuality, Riggs pays careful attention to the homoerotic and homophobic aspects of his plays, most notably Edward II,
considering each in its contemporary moral and political setting. Riggs concludes with fresh insights into the mysterious circumstances of Marlowe's violent death. This study balances close literary readings with lucidly presented historical context to give us a portrait of a brilliant but volatile enigma who shunned convention in favor of risk and marginality. 50 b&w illus. Agent, Michael Carlisle.
(Jan. 5)
