Steve Jobs

If not the greatest of computer moguls, the late Apple Computer co-founder was certainly the most colorful and charismatic to judge by this compelling biography. Journalist Isaacson (Albert Einstein) had his subject's intimate cooperation but doesn't shy away from Jobs's off-putting traits: the egomania; the shameless theft of ideas; the "reality distortion field" of lies and delusions; the veering between manipulative charm and cold betrayal; the bullying rages, profanity and weeping; the bizarre vegetarian diets that he believed would ward off body odor and cancer (he was tragically wrong on both counts). Isaacson also sees the constructive flip-side of Jobs's flaws, arguing that his crazed perfectionism and sublime sense of design%E2%80%94he wanted even his computers' circuit boards to be visually elegant%E2%80%94begat brilliant innovations, from the Mac to the iPad, that blended "poetry and processors." The author oversells Jobs as the digital artiste pitting well-crafted, vertically integrated personal computing experiences against the promiscuously licensed, bulk-commodity software profferred by his Microsoft rival Bill Gates. (Gates's acerbic commentary on Jobs's romanticism often steals the page.) Still, Isaacson's exhaustively researched but well-paced, candid and gripping narrative gives us a great warts-and-all portrait of an entrepreneurial spirit%E2%80%94and one of the best accounts yet of the human side of the computer biz. Photos. (Oct. 24)