A People’s Art History of the United States: 250 Years of Activist Art and Artists Working in Social Justice Movements

This latest addition to the New Press’s People’s History series, with a preface by Howard Zinn (A People’s History of the United States), is both readable and instructive. Rather than writing a comprehensive history of social-justice-movement art, Lampert, an activist artist himself, focuses on “examples that were complicated, where the decisions made by artists were controversial and confounding,” his premise being that “analyzing histories that are deeply complicated helps us learn.” His examples range from an examination of the changing uses of wampum belts between Native Americans and Europeans to the contemporary Yes Men’s audacious hoaxes that expose corporate and capitalist culture. Encouraging readers to consider how art can instigate—or dilute—activism and social change, and emphasizing lessons that can be learned and techniques that can be borrowed from earlier activists, the book is a useful and thought-provoking text for history and art students. It may also inspire activists, artist or otherwise, to maximize their effectiveness. 236 b&w illus. (Nov.)