Mutual Interest

Wolfgang-Smith (Glassworks) explores tensions in the private lives of three queer misfits turned business titans in her stunning latest. In 1899, 18-year-old Vivian Lesperance leaves her unloving parents in Utica, N.Y., for New York City. There, she lives by her wits and has her first sexual encounters with women, including society reporter Electra Blake, with whom she forges a “real... but... useful” friendship. The sexual dalliance is short-lived, but it yields a meeting with wealthy Italian chanteuse Sofia Bianchi, with whom Vivian embarks on an affair. That relationship is ending by the time Vivian meets Oscar Schmidt, a timid executive at a soap company. Schmidt’s business is collapsing thanks to Squire Clancey, a blue-blooded oddball obsessed with candle making, who’s been buying up the lion’s share of tallow and essential oils from Schmidt’s suppliers. Vivian, correctly sensing Oscar is secretly gay, offers to marry him to conceal their sexualities. He agrees, and after they marry, Vivian introduces Oscar to Squire and engineers a merger of their companies. Oscar and Squire fall in love and the trio style themselves as a married couple with an eccentric live-in friend. Thanks to Vivian’s vision, Clancey & Schmidt grows into a thriving commercial empire, but the men’s tender bond underscores her loneliness, as she racks up loveless encounters with other women. Wolfgang-Smith’s sharp, sardonic narration brilliantly brings to life both the Gilded Age and her unforgettable protagonists. It’s a virtuosic performance. Agent: Danielle Bukowski, Sterling Lord Literistic. (Feb.)