Cahokia Jazz

Spufford (Light Perpetual) sets his clever latest in an alternate America where the Indigenous population wasn’t decimated by the European-borne smallpox epidemic in the 16th century. The resulting change is best exemplified by the city of Cahokia in 1922, where Indigenous people rule hereditarily and are integrated with white and Black populations. Det. Joe Barrow and his corrupt white partner, Phineas Drummond, are called to the rooftop of the Land Trust building, where a dead body has been discovered, eviscerated and missing its heart. Early indications point to an Aztec ritual sacrifice. But the two detectives soon find a link to the local KKK, whose goal is to rid the city of Indigenous rule. Barrow quickly realizes he is in over his head trying to expose a conspiracy that involves a German American bootlegger, a munitions tycoon, an Indigenous femme fatale, and maybe even the Cahokia PD. This richly imagined and densely plotted story refreshes the crime genre and acts as a fun house mirror reflection of contemporary attitudes toward race—all set to a thumping jazz age soundtrack. Standing alongside Orson Scott Card’s Alvin Maker series and Michael Chabon’s The Yiddish Policemen’s Union, this is a challenging evocation of an America that never was. (Feb.)