The Instrumentalist

Constable’s mellifluous debut draws on the life of composer Anna Maria della Pietà (1696–1782), an orphan who became a violin prodigy at the age of eight and was tutored by Antonio Vivaldi. Raised at the Ospedale della Pietà in Venice, Anna Maria dreams of becoming the youngest member of the orphanage’s renowned orchestra. She’s learned to play the flute and the oboe, but she finds her calling when she hears the violin. Sure enough, her new teacher, the virtuoso Vivaldi, sees promise in Anna Maria’s playing. When she’s 13, he invites her to collaborate with him. Anna Maria says she’s been thinking about writing a piece about spring, which gives Vivaldi the idea for his Four Seasons concerti. By the time Anna Maria is 17, she chafes at Vivaldi’s insistence on keeping her contributions secret. When she claims she’s destined for greatness as a composer in her own right, Vivaldi belittles her. Anna Maria then leaves the orphanage in a huff, and struggles to survive after pawning a necklace and living in a hovel. Constable richly portrays the city’s opulence and its seedy underside, and she charms in her portrayal of her fiery young protagonist. This will appeal to fans of historicals with strong female leads. (Aug.)