Berman (On the Town: One Hundred Years of Spectacle
) establishes the personal tone of this collection of original essays in his introduction, recalling how New York City’s “very special form of peace, harmony, and democracy... had unraveled” in the 1970s and ’80s. The bonding of firsthand recollection to broader historical issues continues throughout the anthology, co-edited by poet, critic and photographer Berger. Joe Anastasio uses his morning subway commute to reflect on his former life as a graffiti artist, while Leonard Levitt’s journalistic background informs his account of the lack of transparency in the city’s police department. For every quirky “only in New York” moment, like Jim Knipfel’s subway crazies or Luc Sante’s East Village commerce (both legitimate and not), there’s hefty political discussion, such as Leonard Greene’s un-nostalgic look back at Ed Koch’s record on race relations. Not every contribution works: Richard Meltzer’s rant about the “North American Calcutta” has a creaky, outdated feel, and Meakin Armstrong’s essay about New York’s literary culture is little more than a string of authors and book titles. But with 230 photographs sprinkled throughout, this multivoiced collection establishes itself as a unique document of the city’s last three decades. (Sept.)
