Adam & Eve

Naslund (Ahab's Wife) delivers a cheesy blend of futuristic thriller, pseudoreligious speculation, and idyllic romance. In 2017, Lucy Bergmann's astrophysicist husband is murdered just before he is to reveal the existence of extraterrestrial life. Now, as the keeper of a copy of his data, Lucy's being stalked by the leaders of a sect called Perpetuity, who intend to destroy any challenge to their fundamentalist beliefs. And when Lucy agrees to transport an ancient scroll that offers an alternate version of the Book of Genesis from Cairo to the Dordogne, she becomes a double target. Lucy pilots a plane (this convenient ability is indicative of the preposterous plot) and crash-lands in Mesopotamia, where she meets a gorgeous, naked man named Adam (an American GI gone a touch nutty) who nurses her back to health in a facsimile of the Garden of Eden. Their chaste but busy domesticity is eventually threatened by the evil Perpetuity crew, and they face even more danger after an escape to France. It's embarrassingly bad in every way, from the dopey conceit of a 21st-century Eden to the paper-thin characters who spout ersatz philosophy and spiritual theorizing while enjoying the cloying clichés of romance fiction. (Oct.)