Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense

Unapologetic rhymes with splenetic, and that’s one aspect of British writer Spufford’s (Red Plenty) rhetorical tour de force, in which he not only takes on the new atheists but also the secularism of his own culture (6% of Britons regularly attend church, the author notes early on). Spufford stakes out ground for arguing the value of Christianity that is neither ontological, teleological, or any-ological. God, he asserts, is the ground of being, experienced emotionally, as one might experience Mozart’s Clarinet Concerto. Having moved the boundaries of the argument, Spufford has at it, swearing, skewering, and bringing a sense of humor to bear on the question, “Why bother to be Christian?” A gifted writer, the author is closer to the American William James, who grasped the psychological payoff of religious belief, than he is to fellow Englishman and revered Christian apologist C.S. Lewis. The rhetorical pileup is wearing at times, as are so many contemporary arguments about religion. Spufford’s style is as bracing as a cup of real English breakfast tea—strong enough to satisfy believers. (Oct.)