The New Earth

Critic Row’s magisterial latest (after the essay collection White Flights) traces the complex dynamics of a New York City family on a geopolitical scale. In 2000, Wilcox patriarch Sandy, a lawyer, narrowly avoids disbarment after unwittingly aiding a client of fraud. A year later, his wife, Naomi, a geophysicist at Columbia University, reveals that her biological father was Black. Then, in 2003, their youngest child, Bering, is fatally shot by an Israeli Defense Force sniper while protesting the Israeli occupation of Palestine’s West Bank. After Bering’s death, her oldest brother, Patrick, goes to Nepal to become a monk. Sandy and Naomi’s marriage, meanwhile, has been faltering since the late 1970s, when they founded a Zen monastery in Vermont, and following a failed suicide attempt a decade after Bering’s death, Sandy leaves Naomi and retreats to Vermont, where he takes a vow of silence. Middle child Winter, a 20-something immigration lawyer, is marrying Zeno, an undocumented citizen, and wants nothing more than the family to be together at their wedding. Winter and Naomi also butt heads, big time, on race (Naomi insists they’re white; Winter identifies as multiracial). As the Wilcoxes reckon with the limits of what they can bear, Winter’s request proves tough to meet. Moments of levity draw the reader in (Sandy on shaving his head: “I look like Mr. Clean, he thinks, allowing himself one glimpse in the mirror, or Yul Brynner”), and the author pulls off many moving metafictional moments (Sandy, again, sensing the text of Row’s novel: “He feels it embrace him, one animal embracing another; it smells like wet fur”). This is Row’s best work yet. (Mar.)