One Hundred Days

In the nuanced latest from Australian writer Pung (Laurinda), a teen mother-to-be reflects on her ill-fated pursuit of freedom in 1980s Melbourne. Karuna Kelly, 16, lives with her unnamed mother and carries on a clandestine relationship with Ray, a slightly older boy who’s also her homework tutor, until she gets pregnant by him. Her mother, a Chinese woman raised in the Philippines, would have disapproved of the relationship if she’d known about it, and reacts by locking Karuna in their apartment to keep her out of more trouble. Karuna’s narration, addressed to her unborn baby, chronicles how her mother was a bridal makeup artist before her parents’ divorce, which prompted her mother’s business to dry up for fear of bad luck, and resulted in their move to public housing. She also reflects on her decision to pursue the educated Ray, who turned her onto the poetry of Walt Whitman. Throughout, Pung effectively channels her protagonist’s restless outlook (“This guy wrote in the same way my mind seemed to meander these days,” Karuna says of Whitman). This is worth checking out. Agent: Clare Forster, Curtis Brown. (Oct.)