With a mercilessly satirical eye, Bi (The Moon Opera
) observes domestic and communal life in late 20th-century China as three of the seven daughters of Wang Lianfang strive for identity and self-respect. In 1971, when serial philanderer Wang is finally caught, he loses his job and the family loses face. Yumi, his eldest daughter, is forsaken by her fiancé and becomes the second wife to an older man in a nearby town. This is a step up, but her new home is no less a hothouse of gossip and suspicion. The third sister, beautiful Yuxiu, follows Yumi with big hopes that are derailed by an unexpected pregnancy. A decade later, youngest sister Yuyang is poised to escape a dreary fate when she’s accepted by a school in Beijing, but she, too, has heartbreak in store. Bi describes with a sober bluntness the coarse brutality and familial and community power jockeying that plays out in villages where life is governed by strict rituals, superstition, and folk beliefs. Drawn with dispassionate candor, this is a bleak tale of human miseries and of women struggling to survive in a culture that devalues them. (Aug.)
