Spragg’s disappointing third novel (after An Unfinished Life
), a dry and unsatisfying contemporary western, lacks narrative momentum and a sense of purpose. Griff drops out of college to care for her ailing grandfather, Einar, on his Wyoming ranch. Einar, suffering from a mysterious illness, is unhappy with Griff throwing aside her life for his sake, so he summons home his estranged lesbian sister, Marin, to watch over him. Griff, a gifted sculptor whose works involve clay bones wired into exotic and fantastical skeletons, is also at odds with her alcoholic mother and faces the possibility of a long separation from her boyfriend, a graduate student about to leave to volunteer in Uganda. In a parallel plot, Griff’s stepfather, sheriff Crane Carlson, finds a dead body in a meth lab and receives a dreaded medical diagnosis that inspires him to reconnect with his first wife. Although there are some touching moments, most of the novel is humorless to the point of parody, and the attempt at tying together everything at the end feels forced. Despite all the issues it touches on, the overall effect of this modern western is oddly inconsequential. (Mar.)
