THE CHESS ARTIST: Genius, Obsession, and the World's Oldest Game

During a postcollege stint as a blackjack dealer in Atlantic City, freelance writer Hallman discovered the chess community that thrives in dealer lounges. There he met 39-year-old chess master Glenn Umstead, who performed exhibitions while blindfolded and had "hoped to become the world's first black grandmaster." The two became friends and embarked on an exploration of the chess subculture, a grand tour that took them from Princeton to prisons, from windowless rooms to the "giant electronic chess room" of the Internet Chess Club (ICC). At his first tournament, in Philadelphia, Hallman found "watered-down machismo and bent personalities." He visits the chess-obsessed characters of Manhattan's Washington Square Park: "In winter chess players could be found in the park dressed in huge down jackets, the only problem presented by the cold being the difficulty of moving pieces while so encumbered." He interviews Claude Bloodgood, a high-ranking chess player serving a life sentence for murdering his mother who once reputedly tried to use chess to escape from prison (he denies it). Much of the book is devoted to a fascinating visit to Kalmykia, an impoverished Russian province, whose president, Kirsan Ilyumzhinov, is "a not entirely unsympathetic supervillain with a kooky plan to dominate the chess world," evident in his 1998 construction of Chess City with its centerpiece, the Chess Palace, a five- story glass pavilion. Interweaving art and literary references along with the game's 1,200-year history, Hallman summarizes the many meanings and metaphors of chess in the final chapter: "Chess had come to represent intimacy, economics, politics, theories bleeding from rhetoric to outrageous science." Chess enthusiasts will enjoy this delightful tour. (Sept. 22)