Good Bones and Simple Murders

If Atwood keeps a journal, perhaps some of the brief selections in this slender volume-postmodern fairy tales, caustic fables, inspired parodies, witty monologues-come from that source. The 35 entries offer a sometimes whimsical, sometimes sardonic view of the injustices of life and the battles of the sexes. Such updated fairy tales as ``The Little Red Hen Tells All'' (she's a victim of male chauvinism) and ``Making a Man'' (the Gingerbread man is the prototype) are seen with a cynical eye and told in pungent vernacular. ``Gertrude Talks Back'' is a monologue by Hamlet's mother, a randy woman ready for a roll in the hay, who is exasperated with her whiny, censorious teenage son. Several pieces feature women with diabolical intentions-witches, malevolent goddesses, etc. There are science fiction scenarios, anthropomorphic confessionals (``My Life as a Bat'') and an indictment of overly aggressive women that out-Weldons Fay Weldon. While each of these entries is clever and sharply honed, readers will enjoy dipping into them selectively; a sustained reading may call up an excess of bile. Atwood has provided striking black-and-white illustrations. (Dec.)