Those Bones Are Not My Child

At the time of her death in 1995, acclaimed author, activist and educator Bambara (Gorilla, My Love; The Salt Eaters) had spent 12 years working on what her friend and editor Toni Morrison calls a ""magnum opus."" Bambara lived in Atlanta during the two years in which more than 40 children, mostly black boys under 15, were abducted and gruesomely murdered. Her luminous novel draws on a wealth of investigative material, historical detail and family stories, and puts to good use her gifts for passionate storytelling and incisive cultural criticism. The Spencer family, whose oldest son is missing, serves as the fictional anchor. When 12-year-old Sonny fails to come home one night, his anguished mother, Marzala, finds that the police have a pervasive lack of interest in her missing child. Zala and her estranged husband, Vietnam vet Spence, join the Committee to Stop Children's Murders, an activist citizens' group organized by Atlanta parents who are disillusioned with the authorities' indifference to the killings. The cast of characters includes the Spencers' friends, extended family, police, federal investigators, Atlanta officials and the STOP volunteers who search the city seeking leads and patterns, exploring Klan connections and suspicions of a child porn ring. Bambara's thorough re-creation of the STOP committee's work in the book's long middle section comes at the expense of narrative pacing; the story bogs down while the endless theories, tips, hunches and strategies take center stage. Two crucial developments--the arrest of Wayne Williams and a fateful turn for Sonny--refocus the tale on the Spencers. The difficult truths they face are devastating. Bambara gives us an indelible, intimate and moving portrait of an American family, while at the same time producing a landmark work that achieves a potent immediacy as she sagaciously explores the far-reaching issues--racial, personal, political--at stake in one of the 20th century's most horrifying murder cases. (Oct.)