THE TWENTIETH WIFE

Sundaresan's debut is a sweeping, carefully researched tale of desire, sexual mores and political treachery set against the backdrop of 16th- and 17th-century India. It centers on the rise to prominence of Mehrunnisa, the beautiful, intellectually astute daughter of a Persian courtier to the Mughal emperor, Akbar. Mehrunnisa falls in love with Akbar's heir apparent, Salim (who later becomes Emperor Jahangir), in her childhood; although Jahangir comes to share her passion, fate and the dictates of his royal station keep them apart for much of the novel. It isn't until Mehrunnisa has weathered a disastrous, loveless marriage to the brutal soldier Ali Quli, several miscarriages and the jealous plotting of Jahangir's chief wife, Jagat Gosini, that she gets the chance to defy the male-dominated Mughal culture and become a savvy, powerful empress. Like most historical fiction, Sundaresan's novel takes its fair share of liberties with plot and characterization, but still endeavors to be factually accurate as much as possible. Sundaresan charts the chronology of the Mughal Empire, describing life in the royal court in convincing detail and employing authentic period terms throughout. Despite its descriptive strengths, however, the work doesn't quite convince as creative fiction. So much plot is squeezed into the novel that there's little time for character development—Mehrunnisa and Jahangir are wooden and one-dimensional creations, and matters aren't helped by the often stilted prose ("restlessness rose over her like tide on a beach"). Regardless of the wealth of edifying historical detail, this tale of palace intrigue is less than intriguing. 5-city West Coast author tour. (Feb.)