Dance Marathons: Performing American Culture of the 1920s and 1930s

As part of an expanding scholarly movement to convert popular amusements into cultural studies, dance marathons are depicted here as a symptom of America's troubled times between the wars. An assistant professor of drama at New York University, Martin's premise is a stretch at best, and detracts from what is otherwise a worthy and nostalgic glimpse at a national craze. Claims that endurance contests mirrored post-WW I optimism, and later, the despair of the Great Depression, are less than convincing. Statements such as, ``modeled on a radical version of social Darwinism, where the fittest would not just survive, but triumph and win cash prizes'' slow the book down. Beyond the academic probing is an engaging behind-the-scenes look at the genre's evolution. Originating in a time when feats of endurance, such as flag pole sitting, were considered patriotic, dance marathons were never regarded as legitimate entertainment. The monotony and unprofitable practice of watching endless hours of dancing were alleviated by shrewd promoters. Dramas such as mock weddings and torturous elimination races were played out on the floor--``the popularity of marathons rested on their gladiatorial displays.'' Dance marathons were under constant scrutiny by health and government officials and were sometimes banned. Though theoretically weak, in the end, this becomes an absorbing account of a fad that captivated millions. Photos not seen by PW. (Aug.)