The Shadow of War

Shaara (The Old Lion) dramatizes the 1962 Cuban Missile Crisis in his lackluster latest. The story draws on the perspectives of various members of the Kennedy administration; Soviet premier Nikita Khrushchev and his advisers; and fictional English professor Joseph Russo, a Kennedy supporter living in a pro-Nixon Florida community. As the Kennedy White House grapples with the complex fallout of the failed Bay of Pigs invasion, an emboldened Khrushchev begins shipping nuclear weapons to Cuba. Attorney general Robert Kennedy, under the direction of his brother in chief, scrambles to come up with a path forward that won’t lead to mutually assured destruction, and the cabinet weighs a land invasion, a naval blockade, and diplomacy. These Oval Office scenes alternate with ones featuring Khrushchev, who considers potential countermoves and deals with the hardliners in his party who push for a strong response to the U.S. blockade. Meanwhile, the Russo family learns of the threat through television broadcasts and duck-and-cover drills at school. Exposition-heavy dialogue lessens the suspense, and too little attention is paid to the Russos. This pales in comparison to other fictional treatments of earthshaking geopolitical events, such as Robert Harris’s Munich. (May)