The Exhibitionist

Mendelson’s brilliant latest (after Almost English) offers an eviscerating portrayal of an unhappy family in London. With scalpel-sharp prose, the author dissects each of the Hanrahans, beginning with the clan’s patriarch, Ray. A pompous artist well past his prime, Ray showers his family with abuse, blaming his failures on his wife, Lucia, who is also an artist. Lucia has spent her whole married life catering to Ray’s ego, playing down her own talents for fear that any success of her own might derail her husband. Their older daughter, who is in her 30s, still lives at home and indulges Ray’s self-pity, while the younger one has escaped to Edinburgh to teach—a profession Ray disdains—but has been coerced back to London for the opening of an exhibition of Ray’s work in 2010, the first in many years. Meanwhile, Lucia’s son from a previous relationship, Patrick, is preparing Ray’s gallery for the show of his work, though Ray has verbally lacerated Patrick for so many years that he barely functions. Everyone has secrets, Lucia’s by far the most intriguing. Not only is she desperately in love with a female MP, but she’s not told anyone yet that she’s been offered the chance to represent Great Britain at an international art exhibition, news she knows would destroy Ray. Mendelson shines especially when depicting the inner life of Lucia, who must reconcile a passionate vocation with the rigors of domestic responsibility. This crackles with female fury, insecurity, and desire. (July)