Drawn Testimony: My Four Decades as a Courtroom Sketch Artist

Rosenberg’s fascinating debut offers a front row seat to some of the most high-profile criminal cases of the last four decades. As a lover of realism in a sea of abstract impressionists, Rosenberg spent her first years out of art school in the late 1970s feeling frustrated and out of step with contemporary trends. Then a 1980 lecture by courtroom artist Marilyn Church at New York City’s Society of Illustrators convinced Rosenberg that her best chance at making a living doing realistic portraiture was to pick up a sketch pad and head to the courthouse. As she recounts her ascent to the top of the field—first by selling a drawing from an arraignment to NBC, then as a go-to for clients like CNN—Rosenberg provides insider details about trials she worked on, including those of Ghislaine Maxwell, Harvey Weinstein, and Bill Cosby. In a relaxed, personable style, Rosenberg writes of both the quotidian and soul-chilling aspects of her job, from drawing on her sketch pad with one hand and holding her egg salad sandwich with the other to scrubbing chalk from her hands, Lady Macbeth–style, after drawing convicted murderer John Evans. The results thrill without teetering into salaciousness. Readers will be hard-pressed to put this down. Agent: Rebecca Wearmouth, Peters, Fraser & Dunlop (U.K.). (Aug.)