Stork’s Landing

In spring, migrating storks always stop at young Maya’s kibbutz on their way back to their European homes. When one stork breaks its wing on some netting in a kibbutz fish pond, Maya becomes the bird’s advocate; with help from her father, the stork becomes a surrogate mother to a nestful of needy stork chicks. Lehman-Wilzig (Zvuvi’s Israel) immerses readers in rhythms of kibbutz life from the very first page, and she never makes a big deal of Maya’s confidence and competence: when the girl pulls out her walkie-talkie and sends out the alert, “S-O-S. Stork in net,” it’s the most natural thing in the world. U.K.-based illustrator Shuttlewood works in watercolors, an ideal medium for a story that takes place entirely outdoors. She renders her human characters in a somewhat simple style, as if reserving the detailing for the birds at the center of the story. And handsome they are, with a magnificent, snowy wingspans tipped in black, and bright red legs and beaks. It’s easy to why Maya devotes her considerable intelligence and energies to them. Ages 3–8. Illustrator’s agent: Advocate Art. (Sept.)