Novelist Johnson (Hunting in
\t\t Harlem) convincingly re-creates New York City's stratified colonial
\t\t society in 1741, while reinterpreting the only historical account of the
\t\t rumored slave revolt, hysteria and kangaroo trial that led to the executions of
\t\t many black New Yorkers. (The uprising was also chronicled in Jill Lepore's
\t\t New York Burning.) Narrated by a modern-day
\t\t black man who acts as defense attorney for the executed, this account
\t\t painstakingly refutes Daniel Horsmanden's 1744 book, The New York Conspiracy, in which the trial's judge,
\t\t prosecutor and court recorder sought to justify the jailing of about 160
\t\t Africans, the hanging of 18 and the burning of 13 more at the stake. Johnson's
\t\t strength is his ability to breathe movement and motivation into Horsmanden's
\t\t witnesses, though trotting out one intimidated witness after another bogs down
\t\t the latter half of the narrative. He repeatedly drumrolls an unsurprising
\t\t conclusion: that 18th-century New York really was a racist and ignorant
\t\t backwater. Fans of historical fiction or readers interested in the impact of
\t\t slavery on African-American identity today will enjoy Johnson's daring
\t\t reconstruction. (Feb.)
