Mergers and Acquisitions

Greenwich, Conn.–bred Vachon did a stint at JP Morgan after graduating from Duke, an experience that no doubt influenced this dizzying romp through investment banking heaven and hell, which rises and falls among numbing corporate indoctrination, pressure-choked deadlines, fabulously swank parties and an obscenely over-the-top business junket complete with kidnappers. At the heart of it all is Tommy Quinn, an upper-middle-class kid from Westchester whose Georgetown degree in Interdisciplinary Studies leaves him bereft of finance know-how. No matter, once Tommy hooks up with Princeton grad Roger Thorne (who has a real pedigree, a reputation for sexual prowess and a hot sister), and the two pursue careers based mainly on smoke and mirrors. Vachon's glee in poking fun at this complex, debased world is evident in his purposefully excessive descriptions of sex (particularly Roger's "dude"-laden monologues), drugs and ruthless execs, but there's a certain amount of drooling involved, too, in the intricate descriptions of jewels and bonuses. Tommy's romance with Frances Sloan, a troubled trust fund heiress, is predictable (though still diverting), and his and Roger's careers (along with several gratuitous deaths that mark them) have denouements and aftermaths that feel forced at best. Imagine a tyro Jay McInerney without the pathos and the been-there, done-that offhandedness. (Apr.)