The Words of Dr. L

Bender’s impressive latest (after The New Order) explores relationships between friends and family with a mix of speculative and realist tales. The narrator of “The Words of Dr. L” lives in a dystopian future where pregnant women are required by law to become mothers. She hopes to end her pregnancy, breaking from her best friend Joanne, who joins a group called Protection, established to shield women’s fetuses from their “untoward thoughts.” In the unsettling and dreamlike “The Extra Child,” a couple drops off their youngest child at college, only to return home and find another child who “looked to be about ten” and claims to be theirs (“Suddenly, I knew it,” the mother thinks. “I had given birth to him, clearly in some sort of haze, and then I had forgotten him”). The most moving story, “Arlene Is Dead,” follows a family who care for their elderly relative Sylvia while weathering the Covid pandemic. In the monotony of quarantine, they become delighted by how animated Sylvia becomes when ranting about a self-absorbed friend. Bender’s more fantastical stories recall the work of Isaac Asimov, while her realist takes offer insight into the complex lives of characters navigating loss and disappointment. It’s an accomplished collection from a seasoned storyteller. Agent: Maria Massie, Massie & McQuilken. (May)