The Hearing Test

Callahan debuts with a magnificent stream-of-consciousness narrative portraying a young New York City artist as her hearing deteriorates. The unnamed narrator wakes one August morning to a droning in her right ear that causes everything to sound distorted. After a hearing test, she is diagnosed with sudden deafness and referred to a series of specialists. The narrator’s diaristic account of more tests, hypnotherapy, clinical trials, and her declining hearing over the ensuing months is shaped by her various relationships and changing circumstances. In October, she receives a visit from her unnamed ex-boyfriend, who wants to say goodbye to the dog they once shared before he moves to Los Angeles. In November, she calls a friend of her mother’s who’s dying from cancer and tells the friend it’s “terrible she would die at [her age],” to which the friend jokingly replies she’d “rather die than go deaf.” The narrator finds solace on hearing loss forums, where many people report hearing the same “phantom songs” (“Amazing Grace,” “Silent Night,” “The Star-Spangled Banner”), and ruminates in beautiful prose on the idea of silence (“Being in the presence of things made me more aware of the way I was experiencing their absence—everything existed in a silhouette”). It adds up to a bracing immersion into the world of the senses. Agent: Harriet Moore, David Higham Assoc. (Mar.)