Twelve bracingly imaginative tales from Richter (My Date with Satan
) look at pairs of women (mostly) at various crisis points, small and large. The title tale follows an actualset of twins, two deeply conflicted 30-something women, who see each other for the first time in four years at a Cal State twin study. "The Long Hall" sets two rebellious daughters of a divorced alcoholic mother in Mormon Utah, where they must choose between their outrageous punk band and their growing desire to be with boys. In "Blackout," a student narrator on a spring break in Baja confesses to betraying a sorority acquaintance. "Duet" follows two gifted Juilliard musicians: one chooses marriage and mediocrity, and the other finds mastery as an artist. "The Cavemen in the Hedges" shows the sadly hilarious unraveling of an unmarried suburban couple when they come into contact, thrillingly, with a savage band of transient cavemen. Richter has a great feel for dialogue and conflict, extreme and otherwise (Mar.)